Jeremy Baum
The EEL
    Jeremy Baum is a musician’s
musician.  A world-class keyboard maestro with a star-studded playing
history…with great ears and a soulful delivery, keeping him busy in recording
studios, concert halls, and nightspots of every
stripe….
“The behaviour of eels in
fresh water extends the air of
mystery surrounding them. They move freely
into muddy, silty
bottoms of lakes, lying buried in the daylight hours in
summer…
    He is the first-call player
of choice for artists who perform blues, jazz, funk, and all the styles that
fill the cracks in between. Jeremy applies his tasty style to many types of
music…
“Eels are voracious carnivores, feeding mainly
at
night and consuming a wide variety of fishes and
invertebrate
creatures..
..
    Baum is a monstrous talent,
coaxing tones and textures from his instrument as he moves freely from subtle
comping to stunning solos and back in the blink of an
eye…
“The eels are sea monsters; they
are comprised of the giant eel and electric eel. The kraken is sometimes
categorised with them as well. They are referred to as a group by virtue of the
drowning attack they
share.”
    Jeremy Baum
plays the Hammond Organ and piano and leads his own band, which is
rooted in the blues and funky soul-jazz sounds of the late 60s (think Booker T
and the MG’s, the Meters, Jimmy Smith!)  His style is also informed by the
current masters of the groove from the jam-band scene (Medeski, Martin &
Wood, Soulive, Derek Trucks Band, Marco Benevento.
)
    While still in college,
Jeremy joined Murali Coryell‘s band, and soon began leading his
own organ trio. In 2002 Jeremy released his first album, Lost
River Jams
, on Flying Yak Records.  JB’s Band was also
featured on Boogaloo to McDuff, a tribute to Jack McDuff,
available on Scufflin’ Records.
Jeremy has been leading
his band at festivals and clubs in the New York and New England region
ever since.
    Jeremy has been a successful
sideman, working with Shemekia Copeland (6 years in her band),
Levon Helm, soul-jazz legend Melvin Sparks,
Sue Foley, Joe Louis Walker, Debbie
Davies
, Chris O’Leary, John Hammond
Jr.
, and many more.  He has played in nearly every state in the USA, in
over 25 countries in North America, Europe and Asia, at countless music
festivals, at Carnegie Hall, and many television appearances including Late
Night with David Letterman. The man has paid some dues!
     Back in the studio for his
sophomore release, The Eel, on Flying Yak Records,
Jeremy Baum knocks it out of the park with 10 Hammond organ and piano driven
arrangements.  It’s an album of funky, bluesy new compositions as well as
original arrangements of songs by Beck, Prince, James Brown and more.  Recorded
by the amazing Dave Gross at Fat Rabbit
Studios
, this album features many of the best and brightest
musicians from Jeremy’s twin musical homes of New York City and the Hudson
Valley/Woodstock NY area. Special guests include, among others, Jay
Collins
, Eric Kalb, Scott Sharrard,
guitar prodigy Myles Mancuso, Chris Vitarello,
and VizzTone artists Dennis Gruenling, Michael
Bram
, and Chris O’Leary.

presenting
Jeremy Baum
The
EEL
Needless to say, this album
covers a lot of ground stylistically.
For
those of you looking for BLUES CONTENT, may I particularly
suggest:
        3. THREE MORE
BOTTLES
   
        and
        7. PACIFIC
DRIVE
JEREMY BAUM – THE
EEL
1. THE NEW POLLUTION
Cover of Beck’s groovy hit! Souljazz for the
new
millennium.
Jeremy Baum – Accordion, Hammond B3 Organ, Wurlitzer
200A Electric Piano
Chris Vitarello – Guitar
Eric Kalb – Drums
Jay
Collins – Tenor Sax, Flute
Juma Sultan – Congas
2. FUNKY MONKEY – An
original B3 party jam.
Jeremy Baum – Hammond B3 Organ
Myles Mancuso – Guitar
Chris Reddan – Drums
Juma Sultan – Congas
Dave Gross – Tambourine
3. THREE MORE
BOTTLES
– New Orleans flavor, piano and harmonica driven,
with
lyrics and vocals by Blues Blast
Award winner Chris O’Leary.
Jeremy Baum – Piano
Chris Vitarello – Guitar
Michael Bram – Drums
Matt Raymond – Acoustic Bass
Chris O’Leary- Vocals, Harmonica
4. CHARLIE BAUM – Jeremy’s nod to
Vince Guaraldi and the Peanuts, as well as
Ramsey Lewis’ “The In
Crowd.”
Jeremy Baum –
Piano
Matt Raymond – Acoustic
Bass
Michael Bram –
Drums
Eddie Torres –
Congas
5. DANCE WITH ME – A tribute to
Jeremy’s friend Larry Hoppen, this is a
pretty instrumental arrangement
of the Orleans classic.
Jeremy Baum – Hammond B3 Organ,
Wurlitzer 200A Electric Piano
Chris Vitarello – Acoustic
Guitar, Electric Guitar
Eric Kalb –
Drums
Dennis Greunling –
Harmonica
6. BORRACHO – Boogaloo cover of
obscure 70’s West Coast band Dyna-Might.
Jeremy Baum – Hammond B3
Organ
Myles Mancuso – Electric
Guitar
Anthony Candullo – Electric
Bass
Chris Reddan –
Drums
Eddie Torres –
Congas
Jay
Collins – Tenor Sax
Phil DeMier –
Trumpet
Dean Jones –
Trombone
7. PACIFIC DRIVE – Guitar driven
instrumental featuring 17 year old prodigy Myles
Mancuso. If you like The
Crusaders / Larry Carlton…
Jeremy Baum – Hammond B3 Organ,
Wurlitzer 200A EP
Myles Mancuso – Electric
Guitar
Tony Tino – Electric
Bass
Eric Kalb –
Drums
Juma Sultan –
Congas
8. AIN’T IT FUNKY NOW – B3 driven
guitar heavy funk jam ala James Brown.
Jeremy Baum – Hammond B3
Organ
Chris Vitarello – Guitar (Left
Speaker)
Scott Sharrard – Guitar (Right
Speaker)
Eric Kalb –
Drums
Juma Sultan – Congas,
Vocal
9. PURPLE RAIN – Instrumental
guitar driven version of the Prince classic –
with a Bruce Hornsby inspired
piano solo.
Jeremy Baum – Hammond B3 Organ,
Piano
Chris Vitarello – Electric
Guitar
Eric Kalb –
Drums
Juma Sultan –
Congas
10. THE EEL – B3 driven far out
funky instrumental with elements of Led
Zeppelin, The Meters and Tower of
Power!!!
Jeremy Baum – Hammond B3 Organ,
MiniKorg-700, Korg R3
Myles Mancuso – Electric
Guitar
Chris Reddan –
Drums
Juma Sultan –
Congas
PREVIEW AND BUY THE
EEL!
AUTOGRAPHED CDs
from
CD or Digital Music
from
Digital Music
from
THE EEL features a
host of amazing musicians,
many of whom you’ve
probably heard before…
Chris Vitarello: Guitar (Jimmy McGriff,
Bruce Katz, Chris O’Leary Band)
Eric Kalb: Drums (Deep
Banana Blackout, John Scofield, Charlie Hunter)
Jay Collins:
Tenor Sax, Flute (Greg Allman Band, Levon Helm)
Juma Sultan:
Congas (Jimi Hendrix, Archie Shepp)
Michael Bram: Drums
(Jason Mraz, Watermelon Slim, VizzTone Artist)
Chris
O’Leary
: Vocals, Harmonica (Levon Helm, VizzTone
Artist)
Dennis Greunling: Harmonica (VizzTone Artist, Doug
Deming & the Jewel Tones)
Chris Reddan: Drums (Popa
Chubby)
Tony Tino: Electric Bass (Gavin Degraw, Clay
Aiken)
Scott Sharrard: Guitar (Gregg Allman Band, The
Chesterfields)
Myles Mancuso: Guitar (Myles Mancuso
Band) – fast-rising guitar prodigy
Matt Raymond:
Bass (Chris O’Leary Band, Mikey Junior)
Dean Jones:
Trombone (Soñando, Grammy-winning producer)
Phil DeMier:
Trumpet (Soñando)
Eddie Torres:
Percussion (Mark Egan, Joel Rosenblatt)
And chances are,
you’ve probably heard Jeremy Baum before —
mabye even on some
of your favorite records!
1996:
Bill PERRY /
Love Scars
1998:
SLAM ALLEN /
Things Sho Done Changed
SUE FOLEY / Ten
Days In November
BILL PERRY /
Greycourt Lightining
DEBBIE DAVIES /
Round Every Corner
LITTLE MELVIN
UNDERWOOD
/ Dealin’ With The Feelin’
1999
DEBBIE DAVIES with DOUBLE
TROUBLE
/ Tales From The Austin Motel
2003
JIM WEIDER
(guitarist for The Band) / Remedy
2004
MELVIN SPARKS
(Soul-jazz legend) / It Is What It Is
2007
SHEMEKIA
COPELAND
/ On Stage at World Cafe Live (DVD)
2012
DEBBIE DAVIES /
After The Fall
CHRIS O’LEARY BAND
/ Waiting for the Phone to Ring
MICHAEL BRAM /
Suitcase in the Hall
PETEY HOP / The
Levee
2013
BRAD VICKERS and the
VESTAPOLITANS
/ Great Day In The Morning
2014
ALBERT CASTIGLIA
/ Solid Ground
MIKEY JUNIOR /
Traveling South
some early
press…
Poughkeepsie
Journal

John Barry   June 19, 2014

New CD from Jeremy Baum
offers soul, jazz and the blues

    One Hammond B3 player I’ve
been watching for years is Jeremy Baum of New Windsor, whose touch on the
keyboard can be tender or torrential, quiet or quick.
    Baum, a graduate of
the State University of New York at New Paltz who has performed often in
Dutchess County, doesn’t just play his instrument, he draws sound from it. He
teases sound from the organ, coaxes it out, and at the right moment, he propels
it forward, to a legion of faithful followers who enjoy his fusion of soul, jazz
and the blues.
    And just as they’re chewing on it all, Baum lobs another
one their way.
    He simultaneously negotiates and executes his way up and
down that keyboard, while keeping the crowd abreast of any and all musical
equations he happens to piece together, with the insight of a college professor
and the sheer joy of a kid in a candy shop.
    All of this brings me to
Baum’s new CD, “The Eel,” a dissection of musical genres stamped with the
personality of a musician who knows when to take a gallop to a stampede, when to
batten down the hatches and when to throw caution to the wind.
    This CD
has a lot of great tunes on it. But if it only had “Pacific Drive” on it, just
one song, it would be worth getting your hands on. Written by Baum, this bouncy,
optimistic song meanders just enough to pique your curiosity, but returns
repeatedly to the grit and grime of a good blues tune, thanks in large part to
the unrelenting guitar licks of Myles Mancuso, who is originally from
LaGrange.
    I found myself playing this song over and over, tapping my feet
and rocking back and forth in my chair. With these tunes, prepare to move — and
be moved.
 

Steven M. Alper
    I was immediately grabbed by
the guy at the Hammond. (Jeremy’s) playing was by turns intense and understated,
showing such mastery of the instrument. Brilliant, well-shaped solos, slipping
back and forth over that line between inside and outside, never quite treading
beyond the style (but hinting at the possibility). It was the subtle,
effervescent accompanying that really surprised, the ever-changing tone and
texture, slapping rhythm juxtaposed with sustain. This guy knows the Hammond
from the inside out, digging out the sounds of the physical tone wheels from the
new electronic box.
The Working Musician
(.com)

Roger-Z   March 01, 2014

    Jeremy Baum puts the fun back
into keyboard-based, instrumental garage-rock. Think back to “99 Tears” by
Question Mark and The Mysterians or “Wooly Bully” and “Little Red Riding Hood”
by Sam the Sham and The Pharaohs. The Sixties managed to reflect the turmoil as
well as the joy in American society. We still share the distress — but Jeremy
Baum puts smiles back on our faces. Our star here finds himself surrounded by
some of New York’s finest — guitar (Chris Vitarello, Myles Mancuso, Scott
Sharrard), vocals (Chris O’Leary), drums (Eric Kalb, Chris Reddan, Michael
Bram), bass (Matt Raymond, Tony Tino, Anthony Candullo), sax (Jay Collins),
percussion (Dave Gross, Juma Sultan, Eddie Torres), harmonica (Dennis
Gruenling), trumpet (Phil DeMier), trombone (Dean Jones). Jeremy Baum produced
the album and guitar phenonomen Dave Gross captured it at Fat Rabbit Studios in
Montclair, New Jersey.
    The jubilant music romps wild. It kicks off with
“The New Pollution,” a one chord stomp with a bass line similar to The Beatles’
“Tax Man”. Baum pegs the perfect Hammond B3 tone to weave in with Vitarello’s so
tasteful guitar. “Funky Monkey” gets the blues down on the “good foot.” Baum
turns his organ up and lets it all hang out! The turnaround provides the hook.
“Three More Bottles” features Chris O’Leary apologizing for his bad behavior.
Woman gone — but plenty of booze and harp playing! Don’t know who “Charlie
Baum” is, but this composition reeks of Ramsey Lewis!
    Lots of variety on
this album. “Borracho” shows off horn-driven Latin roots. Myles Mancuso
dominates on “Pacific Drive” with the tastiest R&B guitar. James Brown’s
“Ain’t It Funky Now” launches a monumental blowing session between Chris
Vitarello, Scott Sharrard, and Baum. The anthematic “Purple Rain” proves a most
inspired cover. Once again, Baum and Vitarello bob and weave like brothers from
a different mother! The title cut, “The Eel,” evokes Soulive and allows Mancuso
and the group to show off monster tempo changes and chops!
    Jeremy Baum
manages to bring “peace, love, and happiness” back to instrumental music. He
mainlines his inner joy. Job exceedingly well done!
Almanac
Weekly

John Burdick   November 22, 2013

    Keyboardist Jeremy Baum has
been a highly visible and in-demand regional-and-beyond sideman for a long time
now, flexing his fine touch, great ears and multigenre fluencies in some pretty
top-shelf blues, Latin and jazz settings. Like so many courted and coveted
sidemen, Baum leads his own band as well, when he can, finding time about once a
decade to record his own material with his sidemen of choice. 2003’s Lost River
Jams was a funky, spacious set, foregrounding Baum’s tasteful Hammond and
piano-playing. Owing more to the brainy, Monkish lines of a Larry Golding than
to the non-stop blowing of Joey DeFrancesco, Baum keeps things fresh with jazz,
Latin and gospel colors sprinkled throughout this fine trio-plus-friends blues
session.
    Baum has reconvened a trio – this time with guitarist Chris
Vitarello and drummer Chris Reddan – for the soon-to-be released CD The Eel. It
is this trio that Baum brings to the Liberty Lounge in Rhinebeck on Saturday,
November 23 at 9:30 p.m. The Eel isn’t out yet, but the band will no doubt be
offering a sneak peak of what to
expect.